in andante

Slow honey: a new ellipse.

Leaves are companionate

as a tinge of dirt tints what’s seen.

Dinosaurs went out of style,

& then we fell through windows

not of our own making, but different

than what our parents would

have wanted in former

lives. A holiday’s you

beguines with slovenly

odes to El Greco &

that painting I kissed when

you weren’t thinking of

anyone at all, but

rather bearing myself in-

to a new set of propositions

that even a city would

endorse for their properties &

one last living Dino

still raises his ace to love

with a drink in hand

as a holiday’s we is

an end of knowing

what art is for, once again.

Temperance plates a day

& no way is night

relished like peach

in a Buddha’s hand,

pure palpable peach &

in some world an emblem of

my feelings. What’s new?

A pop song marks out time &

soon falls off again toward

an infinite

making.

tangle

Held in bloom, a thing un-feels itself. What was once beautiful is now made of rope and salt, rope and bile. You want to reach out and tell your friend this: give yourself a second chance. But one thing is as good as another, for an other side to thing-hood is personhood, and not many speak of that. A glance in a mirror is made from yesterday’s clothes, not what was seen at first. Hand-me-downs allude to silk, and plaiting is un-velvet-ly pure. You reach in, and you find a second self, unhinged from death’s last grip.

 
 

Laura Carter lives in Atlanta, where she completed her MFA in 2007. She has published several chapbooks since then, including three with Dancing Girl Press. She teaches college-level English and humanities classes for a living. She hopes you are well.