in andante
Slow honey: a new ellipse.
Leaves are companionate
as a tinge of dirt tints what’s seen.
Dinosaurs went out of style,
& then we fell through windows
not of our own making, but different
than what our parents would
have wanted in former
lives. A holiday’s you
beguines with slovenly
odes to El Greco &
that painting I kissed when
you weren’t thinking of
anyone at all, but
rather bearing myself in-
to a new set of propositions
that even a city would
endorse for their properties &
one last living Dino
still raises his ace to love
with a drink in hand
as a holiday’s we is
an end of knowing
what art is for, once again.
Temperance plates a day
& no way is night
relished like peach
in a Buddha’s hand,
pure palpable peach &
in some world an emblem of
my feelings. What’s new?
A pop song marks out time &
soon falls off again toward
an infinite
making.
tangle
Held in bloom, a thing un-feels itself. What was once beautiful is now made of rope and salt, rope and bile. You want to reach out and tell your friend this: give yourself a second chance. But one thing is as good as another, for an other side to thing-hood is personhood, and not many speak of that. A glance in a mirror is made from yesterday’s clothes, not what was seen at first. Hand-me-downs allude to silk, and plaiting is un-velvet-ly pure. You reach in, and you find a second self, unhinged from death’s last grip.
Laura Carter lives in Atlanta, where she completed her MFA in 2007. She has published several chapbooks since then, including three with Dancing Girl Press. She teaches college-level English and humanities classes for a living. She hopes you are well.